The writer of Love and Thunder explains the film’s approach to Jane’s cancer

much earlier Thor: Love and Thunder Marvel fans opened up in cinemas, suspecting that the movie would bring up an important storyline from the comics in which Jane Foster is diagnosed with cancer and ends up transforming into Mighty Thor. These suspicions were confirmed once the movie arrived with Jane (Natalie Portman) ill, playing an important role in the movie. Now, writer Jennifer Kaiten Robinson explains the film’s approach to this story and the responsibility to bring the story to screen.

talk with diverseRobinson said the cancer gene story was always in the movie, even from the first draft of the script.

“He was always there,” Robinson said. “He’s obviously in the comics, and he was in Taika’s first draft.” “And then it was about, you know, what does this mean? We had a lot of conversations, especially with Natalie, about, you know, we have a responsibility here. What a great thing to be able to show a superhero with cancer and not really be ashamed of His ugliness and the hard stuff in him, but also the ability to really shine this character in. A lot of the conversations were like, ‘How do we do this justice and how do we put something on screen that means something and it’s going to resonate with cancer survivors?’ “

Robinson also clarified that the scene in the movie introducing the Cancer Gene story was actually initially quite early in the movie, although it moved as things developed.

“I don’t know if I’m allowed to say this, but I think it’s fine: In the original draft, it was actually before Marvel [Studios logo]. It was even earlier in Taika’s original draft. That was always a moving piece – in the end, it became one [the origins for] “Gore and I think it’s cool,” she said. “but [Jane’s cancer] It will never be a dead-end moment. It was always like this woman’s story. This is her arc. Here it begins.

but even with Thor: Love and Thunder Being a superhero movie with gods as characters, Robinson said they also tried to keep the truth in Jane’s story, balancing the human and the fantastic.

“I think we’ve always tried to find the truth and the feelings behind it, and we really come from a human place,” Robinson said. “And it’s not a common human place – it’s a Gene human place. He thinks how it would be Gene deal with this how Gene Moving through her diagnosis? I think identification is what makes the best story and makes something universal. And this was exactly Jane’s story. Because most cancer survivors don’t have a magic hammer that they can reach and that will make them superheroes and give them huge arms. There’s definitely a lot of really imaginative stuff out there, and then you have a scene where she tells her boyfriend that she has cancer, and she’s just too nervous to do that. It’s a very real human sight – on a boat in space.”

Thor: Love and Thunder In theaters now.

.

[ad_2]

Related posts

Leave a Comment